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Ricardo Domeneck
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epic glottis, 2006
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Mula, in collaboration with Tetine, 2007.
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Eugen, video, 2006
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4'33" of eugen's presence, 2006
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Garganta com texto, 2006
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in tension of context, 2007.
When they spoke I / confused cortex / for context
when they spoke I
confused cortex
for context
& herewith a new train
of thoughts commands
my attention
& mingles
with the native
image seen
like a bridge
adjusted to the water
rather than the distance
it spans
& in & out
elicit
the ellipse of allusions
or perhaps alluvials
I
draw since you
delude
me to hide
your care elision
what a shock
to acknowledge
that even silence
could be
misunderstood
as no yes does
like
hunt & run
undistinguished
or the way
we may name
the dissipation of heat
coldness spreading
& is it a matter
of syntax or coccyx
to measure
reality & probability & expectation
as he said
decompose me
but I understood
reykjavik
& insisted chance
is not
simply a proclivity
gone askew
although all
persist on calling
my purple sweater
brown
call it attention
or the snuggling
of facts & a boy
from texas
said: I
live in texas
as the sky
remains blue
on behalf of
coherence
so one
feels tragic
enough to place
signs
prohibiting accidents
& a snake drags
itself upon its shadow
like one returns to bed
after coffee & bath
since pain ignores
the choice
of acknowledgement
through the obligation
of perception
then call it
attention or the snuggling
off acts
you talk of
systems
as you talk in
systems
so humble me
to the likeness
of communication
yes
no
uncertain insect
deposits its eggs
on me
or three
cubes of sugar
in the coffee the proof
I exist & I
misunderstand the talk
of the dead for being
alive
as if the language
of lazarus
were icelandic
or exiled
when she said you
cannot write
history you can
only make it
& pound (1885 - 1972)
& pizarnik (1936 - 1972)
in roundness of date &
name bringing me
the relief of completion
meaning &
the certainty
I am
not Siberia
I
wish
my tooth
ached in
your mouth
every year
this time
of the year
the equinox
of equidistant
separations &
equine pain
if you
insist on breathing
as rhythm
for speech
oh my longing
lungs relating
sphinx & asphyxia
as expectation plus
reality or fake
orgasms in the day
light
and then and
then and then
the disinclination to pound
on doors already open
no
facts without objects
no
objects without facts
trapped in the
interstice
of throat & teeth
so do
not expect
me to remain
in the expectation
of your clearly
intermittent arrivals
though once
is enough
for lovers
as rule
let me
reach your
mouth at
45 km/h
oh meaning you maniac
RICARDO DOMENECK
http://myspace.com/ricardodomeneck
Bio
Ricardo Domeneck is a writer, multimedia poet and video artist born in
the state of Sao Paulo, Brazil. He moved towards video and performance
after publishing first books, having worked with actors and dancers in
the techniques assembled by the Brazilian choreographer Klauss
Vianna, and such corporeal experience would become important in the
development of his work. Ricardo Domeneck has performed and read in
festivals of South America and Europe, such as the Salida al Mar in
Buenos Aires, and the Poesie Festival in Berlin. Defending the concept
of no distinctions between curatorial work and creative production,
Ricardo Domeneck has adopted dadaist cabaret strategies and taken on
the motto of the "death of the artist, after Duchamp, and the rise of
the cultural interventionist", which takes on the praxis feature of
Domeneck's work as a DJ and curator of weekly interventions in Berlin,
organizing among others the event known as berlin hilton, with Oliver
Krueger and Viktor Neumann. With Oliver Krueger (aka DJ OL!) and also
Philipp Sapp (aka DJ K.Jell), Domeneck (aka DJ kate boss) founded the
independent label Kute Bash Records, which has released the multimedia
duo Tetine, with whom the poet has collaborated in various occasions.
He is the editor of a printed poetry magazine in Brazil, called Modo
de Usar & Co., with poets Angélica Freitas, Fabiano Calixto and
Marília Garcia, and has edited various online projects. Ricardo
Domeneck has been translated into Spanish, German, English and Catalan
and included in the anthologies Cuatro Poetas Recientes del Brasil
(Buenos Aires: Black & Vermelho, 2006) and Ueberland und Leuchtende
Staedte - 12 Dichterinnen und Dichter aus Lateinamerika (Berlin:
SuKulTur, 2006), among other magazine-based anthologies of Brazilian
poetry. In video, his interventions spawn from club walls to the
Brazilian public television. In both writing and video, concentrates
on his own body as fixed set of materials. Ricardo Domeneck lives and
works in Berlin.
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